He’s a Punch-Drunk Driver. He’s the…
Vidiot
Week of March 8, 2019
Boxing would be more popular if fighters
wore capes. First up…
Creed II
Boxing has experienced a renaissance lately
thanks to the many other sports that cause concussions.
And the healthy heavyweight in this action
movie is spearheading that revival.
Not long after he becomes the world
heavyweight champion, Adonis Creed (Michael B. Jordan) accepts a challenge to
fight the son of Ivan Drago (Dolph Lundgren), the man who killed his father.
But without Rocky (Sylvester Stallone) in his corner, Donnie barely scrapes by
with his title – or life - intact. But with his wife (Tessa Thompson) and
newborn battling their own medical issues, Donnie doesn’t have time to wallow
before the rematch.
While the original cast excels in their
roles again, the nostalgic narrative of this overly inspirational sequel relies
too heavily on Rocky clichés. Meanwhile, the loss of the original director is
felt throughout, especially in the handful of fights depicted.
Besides, it’s hard for boxers to be fathers
because babies are just too smart.
Yellow Light
Instant Family
Nowadays, no matter the type of child you
adopt you can surgically altered them to look like you.
However, the couple in this dramedy has
decided to allow their kids to keep their appearances.
Spurred on by her family’s doubt in her,
Ellie (Rose Byrne) and her husband Pete (Mark Wahlberg) move forward on
adoption. With help from a foster parent group headed by quirky social workers
(Octavia Spencer, Tig Notaro), Ellie and Pete welcome three Mexican-American
siblings into their home. But they soon learn that raising kids, especially a
teenager, isn’t as easy as they thought.
Although it offers some insight into the
arduous adoption process that hopefuls must endure, this modern family folly is
also filled with so much potty humour that it’s hard to take the darker moments
all that serious.
Incidentally, adopting another nationality
is the best way to show the world you’re not a racist. Red Light
***Rope-a-Doption ***
The Mighty McGurk
After retiring from the ring most boxers
take cushy jobs as crash-test dummies.
However, the prizefighter in this drama
spends his days bouncing at a dive bar.
Former heavyweight champion Slag McGurk
(Wallace Beery) now works the door at Mike’s (Edward Arnold) tavern. When
presented with the chance to partner on Mike’s latest venture, Slag jumps at
the chance to help his friend ruin the Salvation Army so Mike can expand. But
as he rounds up thugs to help Slag meets an orphan (Dean Stockwell) that convinces
him to stand-up to Mike.
While the story of a lovable ex-fighter
finding their fire in an adoring orphan isn’t all that new, this 1947 take on
the dynamic is an amiable attempt that has plenty of barroom brawls to whet the
appetite of fight fans.
Furthermore, this film finally proves that
boxing gloves are not made out of the skins of orphans.
He’s a Beer Gut Punch. He’s the…
Vidiot
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