Thursday, March 31, 2016

Be Kind, Please Rewind

He’s a Thrill Seeking Missile. He’s the…

Vidiot

Week of April 1, 2016

Drone skiing is the next extreme sport. First up…

 

Point Break

The key distinction between regular and extreme thieves is that the latter is actually sponsored by Red Bull.

However, the risk-taking robbers in this action movie are against big business.

Tasked with infiltrating a band of altruistic bandits who perform daring heists to fund their extreme sports bucket list, FBI agent Johnny Utah (Luke Bracey) passes their intense initiation with ease.

Assimilated, he then helps them execute the remaining ordeals on their list, all the while reporting back to his boss (Ray Winstone).

But when his cover is blow, Utah must choose between his new bros and his federal duty.

Despite its pulse-pounding aerobatics, this pointless Point Break remake may be amped up in its handful of action sequences, but its spiritual laden script is made even worse when articulated by its incompetent cast.

Besides, they’re gonna call the cops as soon as you enter the bank wearing a neon wingsuit.  Red Light

Concussion

Concussions are only a problem in sports when the players start scoring on themselves.

Fortunately, the athletes in this drama are somewhat able to find their opponent’s end zone.

Aghast at the drastic brain injuries a former Pittsburgh Steeler sustained throughout his football career, forensic pathologist Dr. Bennet Omalu (Will Smith) sets out on a self-funded crusade to expose this NFL-wide epidemic.

With help from the Steel’s physician (Alec Baldwin), Bennet is able to publish his findings, which are rejected and buried by the organization until years later when more players start committing suicide.

This shocking true story of the NFL’s calculated cover-up of its countless concussion cases in the early-2000s finds Will Smith at his acting finest, delivering a powerful performance. But however timely the subject matter may be, the overall story lacks artistic impact.

This preexisting brain trauma, however, is exactly why ex-football players should be boxing professionally.  Yellow Light

 
The Hateful Eight

The worst part about being trapped in a cabin with a bunch of cowboys is listening to them drone on about Tom Landry.

Mind you, the cowboys in this western don’t have cheerleaders.

After the Civil War, ex-solider turned bounty hunter Major Warren (Samuel L. Jackson) hitches a ride aboard a stagecoach alongside a fellow hunter (Kurt Russell) transporting a prisoner (Jennifer Jason Leigh) to Red Rock for hanging.

A blizzard, however, strands them inside an isolated outpost occupied by a cast of ne'er-do-wells (Walton Goggins, Tim Roth, Michael Madsen, Bruce Dern) who may, in fact, be there to intercede on the outlaw transfer.

Taking a typical western narrative and turning it into a gruesome, foulmouthed whodunit with a stirring score, writer/director Quentin Tarantino returns to close quarters’ storytelling with a vengeance and aplomb.  

Thankfully, when cowboys are confined indoors today, instead shooting each other, they like to line dance.  Green Light

***Extreme Athlete’s Foot***

 
Paper Lion

Sports Illustrated has provided athletic news to the plus-size female community for years now.

But as this comedy confirms, back in the 1960s the magazine actually catered to sports fans.

In need of an idea for his Sports Illustrated column that finds him participating in a new sporting event each month, George Plimpton (Alan Alda) jumps at the chance to train with the Detroit Lions.
                                               
His enthusiasm, however, isn’t shared by his teammates (Mike Lucci, John Gordy, Pat Studstill). Fortunately, the defensive tackle (Alex Karras) and coach (Joe Schmidt) see to it that George gets his article – and then some.

Based on Plimpton’s own novel that was inspired by his SI article on the aforementioned experience, Paper Lion is an uplifting and inspiring underdog sports story with Alda embodying the wit and tenacity of the author.

In fact, journalists are still involved with the NFL…selling bags of peanuts during games.

He’s the Half-Time Show-Off. He’s the…

 Vidiot





  












  

















 









Thursday, March 24, 2016

Be Kind, Please Rewind

He’s a Dooms-Daycare Worker. He’s the…

Vidiot

Week of March 25, 2016

Incubation chambers are the "it" product of the dystopian future. First up…

 
The Hunger Games: Mockingjay – Part 2

Ironically, the tweens who grew up with the Hunger Games are now young adults struggling with their own eating disorders.

Mind you, the titular famishment in this sci-fi movie is more of a metaphor.

Determined to overthrow the Capitol and kill its president (Donald Sutherland), Katniss (Jennifer Lawrence) aligns herself with an all-star squadron (Natalie Dormer, Sam Claflin) that also includes her boyfriend Gale (Liam Hemsworth) and ex-partner Peeta (Josh Hutcherson).

Behind enemy lines, the team trots through booby-trapped and mutant infested sewers, losing friends along the way.

Meanwhile, the love triangle between Katniss, Gale and Peeta comes to a head.

The fourth and final chapter of this dystopian series, Part 2 is a satisfying conclusion to this respectable franchise. Peppered with plenty of surprises and noteworthy performances, this dark and dire installment is likely its best. 

Furthermore, this finale means archery related injuries amongst girls are sure to decline.  Green Light

 
Daddy’s Home

The upside to being a stepparent is that you can ditch out right before the kids’ college tuition is due.

Fortunately, the replacement dad in this comedy has lots of time to decide.

The unabashed stepfather to his wife’s (Linda Cardellini) two children, Brad (Will Ferrell) is living out his paternal dreams. But his ongoing bonding with his new kids is interrupted by the arrival of their bad-boy birth father: Dusty (Mark Wahlberg).

Initially welcoming, Brad’s hospitality quickly turns to hostility when he feels Dusty encroaching on his territory. But can the bumbling Brad outwit the alpha male interloper?

While its progressive plot could have been playful, this re-teaming of Ferrell and Wahlberg in familiar comedic archetypes struggles to make the awkward family situation seem all that humorous, original, or even somewhat realistic.

Incidentally, the best way to get rid of the birth father is to bring up child support.  Red Light

***End of Days Inn***

 
Things to Come
 
The first thing to do in a post-apocalyptic world is execute all the psychics for not warning us ahead of time.

Thankfully, the citizens in this sci-fi movie received many declarations of war.

An air raid on Everytown from an unknown adversary sets off a global conflict that finds resident John Cabal (Raymond Massey) enlisting as an airman.

Decades later, the war-torn town is devoid of technology as society has deteriorated into a dystopian wasteland controlled by warlords.

But engineers have created an advanced civilization in the desert that will lead humanity into a new technological age.

Exploring the evolution of humanity through the ashes of war and regenerative powers of progress, this 1936 adaptation of H.G. Wells’ novel may suffer from longwinded diatribes but its unique narrative and stylized set designs are worth it.

Moreover, dystopian futures are the reason the sewer housing market is so hot right now.

He’s a Scorched Earthling. He’s the…

Vidiot








Thursday, March 17, 2016

Be Kind, Please Rewind

He Flies Under the Gaydar. He’s the…

Vidiot

Week of March 18, 2016

Never mix-up a gay pride parade with a white pride parade. First up…


Carol

The toughest part of being in a same-sex relationship is deciding who has to sleep on the couch after an argument.

Fortunately, the Sapphic socialite in this drama is likely to have a really comfy one.

Manhattan shop girl Therese (Rooney Mara) becomes smitten with a sophisticated older woman, Carol (Cate Blanchett), who invites her to spend the holidays with her.

But Carol’s ex-husband (Kyle Chandler) and Therese’s boyfriend (Jake Lacy) are adamant against their forbidden affair.

So much so, that now the court is threatening to take Carol’s daughter from her because of her alternative lifestyle.

An unexpectedly optimistic lesbian love story set in the ridged 1950s, this handsomely shot art-house adaptation of the gay-lit novel from the same era honors its iconic backdrop with sets and costumes as alluring and nuanced as its May-December leads.   

Thankfully, nowadays, society would only have a problem with the lesbians’ noticeable age difference.  Green Light

Sisters

The easiest way to tell which sister is the crazy one is by asking who the oldest is.

And while this comedy doesn’t analyze the lucidity of birth order, it is about siblings going crazy.

When their parents (Dianne Wiest, James Brolin) sell their family home, reckless Kate (Tina Fey) and responsible Maura (Amy Poehler) host one last house party.

Inviting their friends from high school (John Leguizamo, Bobby Moynihan, Samantha Bee) and their new neighbor (Ike Barinholtz), they try to recreate their glory days with booze, drugs and debauchery. 

But a conflict concerning Kate’s daughter drives a wedge between them.

Despite the zany premise and comedic talent of both leads, Sisters is an unfunny foray into the sad-sack realm of female adulthood that’s unceremoniously seasoned with unsavory dick and fart jokes.

And just because your parents move out, doesn’t mean the new homeowners don’t want a 40-year-old in their basement.  Red Light

 
​​
The Big Short

The best part of homeownership in the early-2000s was if your house ever burnt down, you still had two left over.

While no one saw this as a problem, the suits in this dramedy did…and made millions.

When rogue hedge fund manager Michael Burry (Christian Bale) uncovers what will eventually become the housing bubble, he predicts its eventual collapse, and despite ridicule from every bank he meets with, he bets against it.

His credit default swap scheme, however, ends up intriguing a trader (Ryan Gosling), an investor (Finn Wittrock), another hedge fund manager (Steve Carell) and an ex-banker (Brad Pitt), all of who want in.

Clarifying the complexities of the financial crisis and defining the convoluted terminology involved with elucidatory side vignettes, this layperson adaptation of the non-fiction novel is frightening, facetious, and keenly insightful.

Incidentally, with all those subsequent foreclosures, smart traders would’ve invested in cans of squatter spray.  Green Light
 
***Girl-on-Girl Reaction***

 
The Children’s Hour

The best way to keep your lesbian relationship secret is by telling everyone you’re sisters.

The lovers in this drama, however, choose to deny their passions outright.

When a spiteful private school student spreads rumors that her teachers, Martha (Shirley MacLaine) and Karen (Audrey Hepburn), are lesbians, she puts Karen’s engagement to Joe (James Garner) as well as both women’s careers in jeopardy.

As the validity of the allegations are scrutinized by the faculty so too do both women explore their own feelings for each other. But the shame for one is too much to bear.

One of the first, and few, Hollywood movies to discuss homosexuality, this 1961 film adaptation of the infamous play is a well-acted think piece that cunningly expounds on the dangers of gossip.

Besides, the best way to tell if a female teacher is a possible lesbian is by having them teach a gym class.

He's a Biodiesel Dyke. He's the...


 Vidiot