Thursday, January 28, 2016

Be Kind, Please Rewind

He’s Unoriginal Sin. He’s the…

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Week of January 29, 2016

A frown is just a smile upside-down. First up…


Goosebumps

The best part about meeting your favorite author is finally getting to tell them how to improve their books.

Unfortunately, the teen in this family-comedy is only interested in the writer’s daughter.

When Zach (Dylan Minnette) and his mom (Amy Ryan) move in next-door to Mr. Shivers (Jack Black) and his daughter Hanna (Odeya Rush), Zach is instantly smitten with her.

But when Zach and his friend (Ryan Lee) break into Hanna’s house to free her from her father, they not only discover that Shivers is actually kid lit author R.L. Stine, but accidentally bring every monster he created for his horror series to life.

A wholly original tale featuring elements from every Goosebumps book and TV episode, this awesome adaptation benefits greatly from Black’s maniacal performance, as well as its spunky script and first-rate effects.

However, if everything they wrote materialized than authors would just write about licensed theme parks. Green Light

***R.L. Frankenstine***

 
The Haunted Mask

The real reason that teenagers love wearing Halloween masks is because they cover-up all of their acne.

Unfortunately, once on, the macabre masque in this horror movie cannot be removed.

Teased by her friends for her faint-heartedness, Carly Beth (Kathryn Long) ditches her duck Halloween costume for a more menacing mask that she stole from a costume shop.

Unbeknownst to her, the mask has strange properties that manipulate her behavior. And when she goes to remove it, she’s shocked to find it’s permanently affixed to her face.

Adapted from one of R.L. Stein’s most infamous Goosebumps tale, The Haunted Mask also marked the genesis of the long-running television series.

Although the narrative is frightful and mindful, especially for the prepubescent market, it’s the outdated special effects that really do this parable an injustice.

Besides, nowadays, instead of a haunted mask it would have to be a haunted sexy pirate costume.

He has Canada Goose Bumps. He’s the…

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Thursday, January 21, 2016

Be Kind, Please Rewind

He’s a Team-Workaholic. He’s the…

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Week of January 22, 2016

Collaboration is the key to any duet. First up…

 
Straight Outta Compton

Being a roadie for a rapper is easy because you only have to carry around a milk crate of old funk albums.

However, as per this biography, personal baggage counts as sound equipment.

In 1986 drug-dealer Eazy-E (Jason Mitchell) and MC Ren (Aldis Hodge) enter the studio of producer Dr. Dre (Corey Hawkins) who pairs them with DJ Yella (Neil Brown, Jr.) and Ice Cube (O'Shea Jackson, Jr.). They subsequently release a hit single under the acronym N.W.A.

But when Eazy-E hires businessman Jerry Heller (Paul Giamatti) to be their manager, his misappropriation of their revenue tears the group asunder.

Spanning the social and racial issues of the early nineties with great aplomb, this O.G. origin tale may whitewash some harsher realities of the real-life situation but is ultimately a well-acted, keenly directed hip-hop masterpiece.

However, not surprising is the fact that all East Coast film critics dissed this movie.  Green Light

 
Jem and the Holograms

Holographic performers are only successful in hip-hop because bullets faze right through them.

Unfortunately, the pop group in this drama is intangible only in name.

Sent to live with their aunt (Molly Ringwald) and foster cousins - Aja (Hayley Kiyoko) and Shana (Aurora Perrineau) - after their father dies, Jerrica (Aubrey Peeples) and her sister Kimber (Stefanie Scott) find solace in music.

When an online video of her singing under the sobriquet Jem goes viral, Jerrica and her sisters are signed to Starlight records. However, producer Erica (Juliette Lewis) wants Jem to drop the Holograms, while her son Rio (Ryan Guzman) simple wants Jerrica.

More a follow-your-dreams commercial for the Youtube generation than an homage to the ‘80s cartoon, Jem manages to utilize the material but distorts it in a way that is unrecognizable to fans, and unexciting to newcomers.

And well Jerrica may secretly be Jem; Jem is actually Barbie with a keytar.  Red Light

 
The Intern

Nowadays, most retirees have to return to the office in a janitorial position.

Thankfully, the widower in this comedy doesn’t have any dependents living in his basement.

Feeling obsolete since retiring from his job, former phone book publisher Ben (Robert De Niro) returns to the workplace as a senior intern for an online fashion house.

Assigned to the site’s workaholic founder Jules (Anne Hathaway), Ben quickly becomes an indispensable part of her life, thanks to his sage wisdom.

But his ethics are tested when he learns a secret about Jules’ husband that could send her into a tailspin, and her website under.

In spite of its far-fetched premise, obvious plot points and sitcom-esque situations, this coming-of-old-age comedy is wryly writing and playfully acted by its charming leads, whose chemistry is awkwardly comforting. 

Although you do have to constantly reassure senior staff that women are allowed to wear pants to work.  Yellow Light



Everest

To capitalize off of inexperienced climbers, Nepal should really open a funeral parlor on the side of Everest.

Case in point, the imperiled alpinists in this fact based thriller.

When competing commercial climbing companies descend on the legendary summit in the spring of 1996, team leaders Rob Hall (Jason Clarke), Scott Fischer (Jake Gyllenhaal) and their cliental (Josh Brolin, Sam Worthington, John Hawkes) are not prepared for the storm that strands them on the slope, sans oxygen.

Meanwhile, the wives of the marooned mountaineers (Robin Wright, Keira Knightley) await word of their rescue, expecting the worst.

While it’s hard to empathize with the willing participants and their death wishes, you can’t help but feel for their families, or deny the white-knuckle action or edge-of-your-seat excitement emanating from this ill-fated expedition.

On the bright side, at least the Yeti population now has a surplus of frozen meals for the week.  Yellow Light

***Dr. Protégé***  

 
8 Mile

White rappers have it harder than black rappers because they can’t rhyme anything with the N-word.

Which is why the white-boy in this drama is so respected when he spits.

White trash wannabe rapper B-Rabbit (Eminem) not only has to cope with his alcoholic mother (Kim Basinger) and her abusive boyfriend (Michael Shannon), but also life in a dead-end job.

His only refuge is the weekly rap battles at a local club, where his nerves keep him from performing.    

But when he catches his girl (Brittany Murphy) cheating, B-Rabbit gets the confidence to compete in a battle royal arranged by a gangbanger (Anthony Mackie).

With a surprising performance from Eminem in a role that parallels his own upbringing, 8 Mile’s gritty realism and follow-your-dreams mentality doesn’t come off as clichéd as with most urban productions.

Furthermore, it’s not your pigment that makes you a decent rapper; it’s your level of misogyny.

He’s Beet Boxing. He’s the…

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Thursday, January 14, 2016

Be Kind, Please Rewind

He’s a Shouting Star. He’s the…

Vidiot

Week of January 15, 2016

Space travel looks less comfortable than air travel. First up…


The Martian

The best thing about commercial space travel is the black box is easy to find in the floating wreckage. 

Fortunately, all the astronauts in this sci-fi movie made it back safely – save for one.

Believed killed in a Martian dust storm by his crewmates (Jessica Chastain, Kate Mara, Michael Peña, Sebastian Stan) and left behind, botanist Mark Watney (Matt Damon) must learn to survive on the inhabitable planet.

Once communications with Earth has been reestablished, NASA (Jeff Daniels, Kristen Wiig, Sean Bean, Chiwetel Ejiofor) begins work on retrieving Mark before his food supply runs out.

Rich in hard science and unique in its narrative, director Ridley Scott does an exceptional job of harmonizing the two. While Damon’s lighthearted one-man performance deserves accolades as well.

However, these positives don’t make-up for the film’s improbable premise. 

Besides, NASA would only return for a marooned astronaut if they were impregnated with an alien.  Yellow Light


Hotel Transylvania 2

The key to dating Dracula’s daughter is making sure to always wear a garlic-flavored condom.

Unfortunately, the new dad in this animated movie didn’t heed that warning.

Unsure if his grandson Dennis will turn out to be a monster like his mother (Selena Gomez) or human like his father (Andy Samberg), Count Dracula (Adam Sandler) and his cronies (Steve Buscemi, Keegan-Michael Key, Kevin James, David Spade) take the tike for the weekend.

But when his father (Mel Brooks) shows up unexpectedly, Drac must keep Dennis’ mixed bloodline a secret from the old orthodox bloodsucker.

The unwarranted sequel to the mediocre original, HT2 does an inadequate job of establishing any time has past with the newfound parents still resembling teenagers.

Furthermore, the jokes failed to have mature as well, making for a dismal revisit all-around.

Incidentally, the issue of human/monster hybrid fetuses is going to flip the abortion issue on its ear.  Red Light


Sinister II

Twins make the worst paranormal victims because you have to haunt them twice as much as normal.

Which is why the ghost-children in this horror movie only torment one sibling.

Every night Dylan (Robert Daniel Sloan) is visited by a group of adolescent apparitions that haunt the abandoned farmhouse their mother (Shannyn Sossamon) moved him and his brother Zach (Dartanian Sloan) into.

Jealous of his brother’s newfound friends, Zach attempts to gain their favour by abusing his brother and watching the horrify home videos that his squeamish brother refuses to.

Meanwhile, an ex-deputy (James Ransone) with knowledge of the home’s history hopes to torch it and the sinister Super 8 reels inside.

Thanks to its untalented new cast and scream-free script, this slapdash sequel to the surprisingly distributing original fails to capitalize off of its predecessor’s cult status. 

Furthermore, who needs ghost-kids when twins are scary in and of themselves?  Red Light

***Squeal Armstrong***


Ghosts of Mars
 
The hardest part of being a ghost on Mars is washing that red dust out of your bed sheets.

Smartly, the apparitions in this sci-fi/horror movie possess people, not linens.

Years after it was made habitable, Mars has now become home to the mining industry. But when miners accidentally uncover a subterranean portal they unleash the incorporeal entities of the Red Planet.

With the campsite now under the influence of the Martians, it’s up to an uninfected convict (Ice Cube) and his police escorts (Natasha Henstridge, Jason Statham) to keep the controlled workers from eradicating any more occupying Earthlings.

While cult moviemaker John Carpenter does deserve praise for the feminist and anti-colonial undertone he manages to work into his shoddy script, his plot points, dialogue and visual adaption are far less praiseworthy.

Mind you, it’s very also disappointing to see that the only black man on Mars is a felon.

He’s a Space Racist. He’s the…


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