Friday, June 26, 2015

Be Kind, Please Rewind

He’s an Auto-Correctional Facility. He’s the…

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Week of June 26, 2015

Prison is  just free room and board with uncomfortable sex. First up…


Get Hard

The first thing you should do after learning that you’re going to prison is purchase every soap-on-a-rope you can find.

The fresh fish in this comedy however has hired a mentor.

When well to do James (Will Ferrell) is convicted of embezzlement, he employs his car washer, Darnell (Kevin Hart), to edify him on the ins and outs of the penal system.

Going along with James’ assumption that he has served time, Darnell agrees to mentor him in exchange for $30,000.

Over the next 30 days, Darnell exposes James to prison-life situations that he gleaned from pop culture. James laps these lessons up until he learns Darnell lacks credentials.
                                                                                                    
With every joke revolving around jailhouse sex or racial stereotypes, Get Hard has a hard time getting beyond its puerile mindset, making the laughs sporadic at best.  

Incidentally, white-collar penitentiaries are worse because all rich, old, white dudes are on Viagra.  Red Light


The Gunman

Occupations involving guns can be very dangerous if the workers ever go on strike.

Fortunately, the armed employee in this thriller isn’t likely to picket any time soon.

Returning to the Congo years after he assassinated a high-ranking official and went into hiding, former mercenary sniper Terrier (Sean Penn) now finds himself in the crosshairs of similar soldiers of fortune.

To find out who leaked his identity, Terrier must contact everyone involved in the original hit, including his girlfriend at the time (Jasmine Trinca).

Also plaguing Terrier is news that his job has left him with numerous health issues.

Treading familiar territory with heavy footsteps, this middle-aged merc tale has loads of action but little storyline beyond its boilerplate plot points.

Even the star-crossed romance feels passionless and pointless amid the barrage of endless bullets and fisticuffs.

Statistically, most hit men don’t make it out of their retirement parties alive.  Yellow Light


Slow West

The hardest part of living in The Old West must’ve been all of those film-crews shooting Westerns.

Luckily, the only film-crew in this Western is the one shooting this Western.

Following his true love Rose (Caren Pistorius) over from Scotland, teenage aristocrat Jay (Kodi Smit-McPhee) tries to make his way in the American Frontier.

Fortunately, he finds a guide in the form of a wanted man (Michael Fassbender) who agrees to mentor him in the ways of the west and help him find his sweetheart, for a price.

Unbeknownst to Jay, a bounty hunter (Ben Mendelsohn) is also after Rose, along with a number of other bounty hungry gunslingers.

An unrequited love story with spurts of violence and a cinematic landscape, Slow West paints a harsh but humorous portrait of the fabled frontier despite its underdeveloped characters.

Historically, however, all kilt wearing Scotsmen were sought by the law for cross-dressing.  Yellow Light

***Jailbait & Switch***

 
A Man Called Sledge

The main proponent of laxed prison sentences is always the man who prints the Wanted Posters.

Mind you, the outlaw in this Western doesn’t need any likeness to land him in jail – just the promise of untold riches.

Tipped off to a regular gold shipment that is locked up overnight at the nearby prison, notorious bandit Luther Sledge (James Garner) rounds up his gang (Dennis Weaver, Claude Akins) and plots to purloin the bullion by getting himself apprehended.

Incarcerated, Sledge frees the inmates and escapes with the booty during the melee.

However, infighting amongst Sledge’s men over the gold during a poker game results in bloodshed, and the kidnapping of Sledge’s prostitute girlfriend.

An unorthodox Western thanks to its substantial Italian influence, A Man Called Sledge features a refreshing departure from the affable gunslinger characters that Garner usually played.

Furthermore, pioneer prisons were notoriously ineffective on account of their sod roofs.


He’s Reward Winning. He’s the…

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Friday, June 19, 2015

Be Kind, Please Rewind

He’s a Co-Captain of Industry. He’s the…

Vidiot

Week of June 19, 2015

Robotic workers are also part Keurig machines. First up…


 
CHAPPiE

The upside to a robotic workforce is no more mandatory birthday cake in the break room.

Mind you, the emotional automaton in this sci-fi movie would actually enjoy the awkward ritual.

Forbidden by his boss (Sigourney Weaver) from testing his experimental A.I. on a new police robot, Dion (Dev Patel) steals an injured one, CHAPPiE (Sharlto Copley), in hopes of installing it with human emotions.

But an indebted gang (Ninja, Yolandi Visser, Jose Pablo Cantillo) wants to use the freshly sentient being to do its bidding, which includes robbery and murder.

Meanwhile, a competing designer (Hugh Jackman) plans to cripple Dion’s design and introduce a more menacing enforcer to the market.

While the special effects and action sequences can be impressive, the script is too ambitious with too many sub-plots, while the entire cast is visually unappealing and audibly annoying.

Besides, having robot cops would devastate the entire doughnut industry.  Red Light


 
The Lazarus Effect

The downside to returning from the dead is having to pay-off all your lavish funeral expenses.

However, the resuscitated individual in this horror movie is more interested in other people’s funeral arrangements. 

Forbidden by the dean of their university from continuing on with their animal trails involving a Lazarus formula, Frank (Mark Duplass) and his fiancée, Zoe (Olivia Wilde), carry on in private.

But when a lab accident leaves Zoe dead, Frank decides to use the drug on her, with their friends (Donald Glover, Evan Peters, Sarah Bolger) barring witnesses to her resurrection.

Back from the dead, Zoe uses her newly developed powers of telekinesis and super-strength to murder her lab partners.

Lacking any substantial scares beyond the standard startles in dimly lit rooms, The Lazarus Effect is a poorly conceived thriller with a predictable and pointless existence.

Incidentally, once in the ground you do have 30-days to return your coffin.  Red Light


 
Run All Night

The worst thing about your father being a mob enforcer is his constantly threatening you to throw your little league games.

Thankfully, the father and son in this thriller have grown up and become estranged.

When his son, Mike (Joel Kinnaman), witnesses the son of his boss, Shawn (Ed Harris), murder two drug-dealers, Jimmy (Liam Neeson) comes to his aid, but ends up killing Shawn’s son when he comes back to silence Mike.

Hunted by a hit man (Common) hired by Shawn, the two evade his bullets while trying to amass evidence on Mike’s innocence.

With Neeson serving as the tormented tough guy once again, Run All Night has the same demeanor of all his other head-busting roles as of late.

Furthermore, the acquainted script and archaic action never exceeds mediocrity. 

On the Bright-side, when your dad's an enforcer the hammer department is the only place you need to shop for Father’s Day.  Red Light

***Out of Workforce***


 
Short Circuit 2

Robots cannot only do our jobs better, but they can stand in the unemployment line longer than any human.

Fortunately, the bot in this comedy has multiple jobs to support him.

Loaned out to his old friend Benjamin (Fisher Stevens) to help with the production of his new toy line, Johnny 5 (Tim Blaney) finds NYC to be much more interesting than his rural home.

One day when he wanders off he befriends a bank-robber (Jack Weston) who wants to use Johnny 5 to dig a tunnel into a vault.

Meanwhile, Benjamin’s business partner (Michael McKean) plots to sell Johnny 5 for millions.

Despite the poor casting of a white actor as the East Indian lead, this sequel to the corny original exceeds its predecessor by focusing more on Johnny’s evolution, as well as ramping up the action.

Incidentally, Johnny 5 went on to become an unsuccessful bomb disposal robot.

He’s a Robotanist. He’s the…


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Friday, June 12, 2015

Be Kind, Please Rewind

He’s a Union Jackass. He’s the…

Vidiot

Week of June 12, 2015

English AA meetings are held in pubs. First up…



Kingsman: The Secret Service

The hardest part of being British secret service is not getting swept up in the royal baby excitement.

Thankfully, there’s a genocidal maniac in this action movie to keep operatives occupied.

Recruited by Galahad (Colin Firth) to test for the Lancelot position on an Arthurian inspired spy ring, street-thug Eggsy (Taron Egerton) quickly proves he’s not the ideal candidate.

But when a dotcom genius (Samuel L. Jackson) divides the agency and unleashes a device that drives users into a homicidal rage, Eggsy and the remaining agents are the only ones left who can stop him.

A stylish send-up of the well-worn British spy-genre – including the stereotypical gadgets and idiosyncratic villain - this good-humoured adaption of the graphic novel may deviate from its source material, but its eye-popping action and sly script more than compensate. 

Strangely, I always assumed British secret service just took assassin bullets intended for the Queen’s corgis.  Green Light        


Project Almanac

When travelling through time be sure to tell your pre-Internet self to start coming up with passwords for the future that contain an upper-case letter, number and special character.

Unfortunately, when the time-travelers in this sci-fi movie meet themselves, they disappear.

Combining discarded apparatus his inventor father designed for the military with some household items of his own, MIT student David (Jonny Weston) constructs a time machine.

Naturally, he uses it to head back in time with his sister (Virginia Gardner) and two friends (Allen Evangelista, Sam Lerner) to change their current existence for the better.

But their constant meddling with the time stream soon has dire consequences on their present.

With its found-footage premise serving as its only innovative – albeit nauseating – idea, this predictable MTV produced pap is a less-than-forgettable entry in to the paradoxical sub-genre.

Incidentally, statistics say that most teenage males will crash their first time machine.  Red Light

***Alternate History Class*** 

My Science Project

The best science projects are the ones that evacuate the school for a week.

The one in this sci-fi movie, however, may vacant the entire town.

Combining a discarded piece of alien technology he stole from a military base with a car battery, high-school senior Michael (John Stockwell) and his friend Vince (Fisher Stevens) unwittingly open a portal to an alternate universe.

When the unit goes on the fritz, its up to the boys to deactivate it before it displaces their community from its current time and space.

But to do that they must return to their high school which is overrun with dangerous creatures from Earth’s past and possible future.

Introducing the idea of alternative realities decades before audiences were interested, this box-office bomb from 1985 is actually a hilarious hidden gem.

Unfortunately, having educators from different eras in the same school will reignite the debate on corporal punishment.

He’s a Lunchtime Traveler. He’s the…

Vidiot










Friday, June 5, 2015

Be Kind, Please Rewind

He’s an Alien Racist. He’s the…

Vidiot

 Week of June 5, 2015

Earth is for mono-penis beings only. First up…


Jupiter Ascending

The first thing a woman would ask after discovering she’s the heir to an alien planet is how much weight will its gravity add.

Thankfully, the naĂŻve queen in this sci-fi movie is only named after Jupiter.

While a servant on Earth, Jupiter Jones (Mila Kunis) is royalty in outer space, which is why a space prince has sent a hybrid soldier (Channing Tatum) to retrieve her for marriage.

However, the prince’s brother (Eddie Redmayne) has dispatched his own troops to slay Jupiter before his brother can lay claim to her rule over Earth and its populace, which their race harvests for youth serum.

Written and directed by The Wachowskis, Jupiter Ascending is yet another example of the siblings’ descending career.

Despite some impressive action scenes, the ridiculous storyline, stale acting and incestuous undertones are off-putting.

Plus, when you’re a space queen it takes all-day to decapitate your multi-headed detractors.  Red Light



Focus

The best way to catch a pickpocket is to fill your pockets with Krazy Glue.

Unfortunately, the cutpurses in this dramedy are too quick for the adhesive properties.

When a green grifter, Jess (Margot Robbie), fails to swindle a veteran conman, Nicky (Will Smith), he takes her under his wing – and into his bed.

Introduced to his associates, Jess uses her allure to distract marks while Nicky’s crew steals their valuables.

But when Nicky uses Jess in a con without her knowledge, the pair part ways. That is until a motorsport scam Nicky is working on reunites them.

Part love story, part comedy and part caper, Focus has a hard time focusing on what it wants to be.

And while the dialogue is snappy, the decisive con is painfully obvious from the get-go.

Incidentally, if a stranger’s hand lingers in your pocket, you’re not being robbed - you’re being molested.  Yellow Light

***Guys & Galaxies***


Queen of Outer Space

The upside to a planet without men is no weightless toenail clippings floating about.

Thankfully, the gravity on the planet in this sci-fi film is similar to Earth.

When they crash-land on Venus, Capt. Patterson (Eric Fleming) and his crew are shocked to learn they’re marooned on an all-female planet ruled by a masked matriarch.

It’s not long until the captain and his men learn of one of the queen’s advisor’s (Zsa Zsa Gabor) plan to overthrow her reign of misandry.

In doing so, they uncover the terrible deeds that lead to man’s banishment from Venus, and of the man-made atrocity that marred the monstrous monarch.

A B-Movie through-and-through, Queen of Outer Space is not only a cautionary tale about mankind’s warmongering, but also a progressive piece of feminist fiction that unfortunately succumbs to the sexism of 1958.

Incidentally, banished Venusian males went on to colonize the first gay-friendly planet.


He’s a Meteor Shower Cap. He’s the…

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