Wednesday, December 30, 2015

You Were Kind, You Did Rewind

He's a Calendaredevil. He's the...

Vidiot

Week of December 31, 2015

The Best and Worst Movie of the Year (Respectively). First up....



Mad Max: Fury Road

The ironic thing about teenage girls embracing the idea of a post-apocalyptic world is that, in one, they would all be sex-slaves.

An outcome the anti-heroes in this action movie would like to preclude.

When Furiosa (Charlize Theron) flees from his fortress with five of his breeding wives, Immortan Joe (Hugh Keays-Byrne) and his foot soldiers follow them into the nuclear wasteland to reclaim his unborn offspring.

Partaking in the pursuit is a dutiful lackey (Nicholas Hoult) driving a death-mobile outfitted with a prisoner Max (Tom Hardy), who later goes on to help Furiosa and her cargo reach the fabled Green Place.

A non-stop car-chase with explicit violence and nightmarish monster trucks, set against an arid color-saturated landscape, this fourth installment in the Mad Max franchise is an accessible, over-the-top, visceral experience with unexpected environmental and feminist undertones.

Incidentally, driving recklessly at high speeds is only acceptable on long-weekends.


Mortdecai

The upside to white-collar crime is the offenders smell way better than normal criminals.

However, the art aficionado in this comedy is working on the right side of the law.

An indebted art dealer, Mortdecai (Johnny Depp), accepts an offer from Inspector Martland (Ewan McGregor) to help recover a stolen painting in exchange for 10% of its sale price.

Aided by his wife (Gwyneth Paltrow) and manservant (Paul Bettany), Mortdecai uses his connections in the art world to uncover a plot by Russian gangsters to use a hidden code on the artwork to locate Nazis treasure.

The only problem is the painting is still in the hands of the real culprits.

With flat jokes focused solely on the character’s foolish facial hair and embarrassing performances all-round, Mortdecai’s cheeky and quirky nature is misguided and irritating.

Besides, if you want to steal art just pry it off the motel room wall.

He's a White Noisemaker. He's the...

Vidiot



Thursday, December 24, 2015

Be Kind, Please Rewind

He’s Humbug Spray. He’s the…

Vidiot

Week of December 25, 2015

Mistletoe is a lawsuit waiting to happen. First up…


Black Mass

The Irish make the worst bootleggers because they drink all the moonshine before it can be sold.

Thankfully, the felons in this drama are more partial to racketeering.

As a means of eliminating his Italian adversaries, south Boston mob boss James "Whitey" Bulger (Johnny Depp) becomes an FBI informant for his office-bearing brother’s (Benedict Cumberbatch) childhood friend John Connolly (Joel Edgerton).

With his newfound federal protection Whitney strengthens his stranglehold on the city. But a pertinacious prosecutor, Fred Wyshak (Corey Stoll), refuses to let him get away with this, or ignore Connolly’s obvious corruption.

While Depp turns in an intimidating - and potentially award-winning - performance as the mad dog assassin, his true to life exploits don’t come off as intense or as grandiose as the filmmakers would have you believe.

Incidentally, the best way to kill your Sicilian rivals is to hold a Godfather screening then firebomb the theater.  Yellow Light

Pan

The worst thing about being young forever is all of your lovers eventually become sex-offenders.

Fortunately, the immortal in this fantasy is technically still a mortal.

Spirited away to Neverland on a pirate ship belonging to Blackbeard (Hugh Jackman), reluctant orphan Peter (Levi Miller) hopes to find his mother (Amanda Seyfried) in the mystical realm.

Instead, he becomes a slave in Blackbeard’s fairy-dust mine where he befriends a young Captain Hook (Garrett Hedlund), who helps him escape.

Fearful of a prophecy foretelling a flying boy who will overthrow him, Blackbeard vows to vanquish Peter before he learns his true ancestry.

The overblown origin story of author J. M. Barrie's beloved Lost Boy, this gaudy green-screened 3-D extravaganza exploits modern fantasy movies for its expected exposition, while its characterization of a benevolent Hook lacks plausibility.

Mind you, telling orphans they can fly might free up some beds at the old orphanage.  Red Light
 
***Silencer Night***


Blast of Silence

Christmas shopping is easy for a hit man because everyone on his list gets a bullet.

But as this drama demonstrates it’s the other traditions that distress an assassin this time of year.

Dispatched to New York over the holidays to deal with a low-level mob boss (Peter Clune), Cleveland contract killer Frankie Bono (Allen Baron) is uneasy with returning to his hometown.

His unflappable nature is further tested when he encounters an old friend from the orphanage and reignites a holiday romance with her (Molly McCarthy).

However, Frankie’s violent lifestyle doesn’t quite mesh with his old acquaintances.

The most honest portrayal of a professional killer ever produced, this haunting 1961 noir Christmas story captures the pathos and loneliness akin to a killer’s career, and the callousness needed to endure it.

By the way, the only gift a mobster wants from Santa at Christmas is his help moving a body.  

He’s Wearing Cement Elf Shoes. He’s the…

Vidiot

































  

































 



 







 
  







Friday, December 18, 2015

Be Kind, Please Rewind

He’s a Reindeer in Headlights. He’s the…

Vidiot

Week of December 18, 2015

God’s door is always open because his son was born in a barn. First up…

 

Mission: Impossible - Rogue Nation

Intelligence agencies have a tendency to take their Secret Santa way too serious.

Thankfully, the spies in this action movie are preoccupied with more pressing matters.

While trying to prove that a clandestine confederation of international crooks called the Syndicate does exist, IMF operative Ethan Hunt (Tom Cruise) ends up being framed for the murder of an Austrian official.

Now on the lam, Ethan recruits his trusted team (Jeremy Renner, Simon Pegg, Ving Rhames) and a Syndicate defector (Rebecca Ferguson) to recover a flash drive containing the names of those involved in the consortium.

Sticking with the high-octane formula of white-knuckle excitement and unexpected intrigue that has made the Mission: Impossible franchise so successful, this fifth instalment of the series based on the 60s’ spy show ups the acting ante with its female addition.

Unfortunately, in reality, most flash drives simply contain vacation photos that need to be printed-off at Walmart.  Green Light


Fantastic Four

The worst part of being on a super-hero team with your family is every holiday you get off you have to spend with them.

And yes, as this sci-fi movie confirms, even if you are related through adoption.

Teenage tinkerer Reed (Miles Teller) creates a teleporter that attracts the eye of a government scientist (Reg E. Cathey) and his adopted daughter (Kate Mara).

Together with Sue’s brother (Michael B. Jordan), Reed’s friend (Jamie Bell), and another inventor (Toby Kebbell), they travel to a parallel world and return with powers of elasticity, combustion, invisibility, telekinesis and impenetrable exoskeleton.

Loosely inspired by Marvel’s first family, this regretful reboot lacks lucidity.  The comic’s congenial tone is as absent as the chemistry between Reed and Sue as well as The Thing’s pants.

Disjointed continuity aside, the overwrought acting is the real atrocity.

Besides, super-powered scientists only want to use their abilities to collect empirical data faster.  Red Light


Maze Runner: The Scorch Trials

The worst thing about a dystopian future is that all online dating profiles will be that of cannibals.

What’s more, the scary singles in sci-fi movie are also contagious.

After escaping from the maze, Thomas (Dylan O'Brien) and the others from the Glades (Thomas Brodie-Sangster, Kaya Scodelario, Ki Hong Lee) find themselves in a government facility protecting them from the virus and the infected outside.

Thomas doubts their host’s intentions and soon formulates an escape plan that will lead them to the Right Arm (Lili Taylor, Barry Pepper), resistance fighters in the mountains.

Despite a few twists, this second chapter of the Maze Runner doesn’t match its predecessor’s intrigue.

Reduced to derivative anti-government drivel like its contemporaries, Scorch Trials’ cliffhanger ending is hopefully not a continuance of this played out parable.

Mind you, it’s comforting to know that in a post-apocalyptic world survivors can look forward to a government pension.  Yellow Light

Ted 2

If factory made toy bears could speak they’d probably communicate in their native tongue: mandarin.

But for some reason the talkative Teddy in this comedy has a Boston accent.

While John (Mark Wahlberg) is ready and willing to donate his sperm so his sentient stuffed animal friend Ted (Seth MacFarlane) can have a child with his wife, the US government won’t allow this until Ted’s lawyer (Amanda Seyfried) can prove he is a complex being with human emotions.

Meanwhile, Ted’s archenemy (Giovanni Ribisi) partners with a toy magnate to mass-produce the magical bear but first they must dissect him.

The unnecessary and uncertain sequel to the grossly overrated original, Ted 2 tries too hard to substantiate its benevolence and obvious liberal stance with viewers, while trying too little to construct jokes that aren’t racist, sexist or downright repugnant.

In other sociopolitical toy news: Dora and Diego have just been deported.  Red Light

***Memeow***



Grumpy Cat's Worst Christmas Ever

The best Christmas gift you can give a cat is a tree in the living room decorated in lights and tinsel.

Unfortunately, the only present the online feline in this comedy is getting is a friend.

Unloved due to her crabby disposition Grumpy Cat (Aubrey Plaza) is doomed to live in a mall pet shop.

It’s not until Chrystal (Megan Charpentier) visits the dilapidated store does Grumpy Cat find someone capable of hearing her cynical thoughts. Despite this miracle, the two don’t see eye-to-eye - except when it comes to foiling a dognapping ring.

Lifetime’s unctuous attempt at capitalizing off the virile mouser, Worst Christmas Ever is precisely that.

From its puerile script and ham-fisted acting to its general low-budget buffoonery, this money-grab officially ends Grumpy Cat’s lucrative fifteen minutes of fame.

That is, of course, unless someone decides to create a daily newspaper comic strip about a cantankerous cat.

He’s a Ninja Turtle Dove. He’s the…


Vidiot











Thursday, December 10, 2015

Be Kind, Please Rewind

He Wears a Santa Suit of Armour. He’s the…

Vidiot

Week of December 11, 2014

Santa Claus’ real identity is Coca-Cola shill. First up…



Ant-Man

The best thing about being a shrinking super-hero is that when the fighting starts you can just disappear.

Thankfully, the pocket-sized protector in this sci-fi movie isn’t as gutless.

Kindhearted ex-con Scott Lang (Paul Rudd) agrees to help his ex-cellie Luis (Michael Peña) break-in to a vault, but instead of riches he uncovers a suit that allows its user to shrink down and commune with ants.

However, the designer - ex-S.H.E.I.L.D. scientist Hank Pym (Michael Douglas) - and his daughter (Evangeline Lilly) want to teach Scott how to use the get-up so he can stop Pym’s protégée Yellowjacket (Corey Stoll) from selling the technology to HYDRA.

With astounding action and periodical romance, this origin story shatters any preconceived notions you may have had of Marvel’s C-list Avenger. More hilarious crime caper than caped crusader, Ant-Man’s shortcomings are lost in Rudd’s unconventional charisma.

Mind you, shouldn’t Ant-Man’s archenemy technically be Uncle-Woman?  Green Light



Minions

Super-villains looking to save money should consider Home Depot day laborers as their henchmen.

Inversely, the underlings in this animated-comedy are looking for a super-villain to serve.

Since the dawn of time the diminutive and dimwitted race of yellow beings called Minions have searched for a malevolent mastermind to blindly follow, from T-Rex and Napoleon to Dracula.

It’s not until Minions Kevin, Stuart and Bob (Pierre Coffin) venture to an evildoer convention do they find a worthy wrongdoer in Scarlet Overkill (Sandra Bullock), who needs the trio to help pilfer the Queen of England’s crown so that she can ascend to the throne.

Although they were tolerable in small doses during the Despicable Me movies, this mind-numbing Minions-centric spin-off finds the pint-sized sycophants’ brand of annoying gibberish finally wearing out its welcome, along with their infantile antics.

Surprisingly, henchmen healthcare doesn’t cover injuries sustained from faulty BAM or POW signs.  Red Light

 

Knock, Knock

When young women appear on your doorstep it usually means your online luring has worked.

Oddly, the family man in this thriller hasn’t been to any online chat rooms lately.

Happily married Evan (Keanu Reeves) stays home to nurse his injured shoulder while his wife (Ignacia Allamand) and children go to the beach for the weekend.

His recuperation, however, is interrupted by a knock at the door that later finds him playing host to soaking wet airline stewardesses, Genesis (Lorenza Izzo) and Bel (Ana de Armas), who got lost on their way to a party.

Evan is easily seduced. He wakes the next morning to find the girls have taken him hostage, and are vandalizing his home.

Featuring Keanu’s worst performance ever, this erotic cautionary tale fails to be the feminist think piece it hopes. Instead it’s a far-fetched and laughable remake.

Besides, morning-after breakfast gets really expensive with threesomes.  Red Light

***Fleece Navidad***

 

Santa Claus

With his powers of perception, Santa could easily identify and eliminate bad children before they grew up into threats.

Unfortunately, the St. Nick in this fantasy has opted out of selective infanticide.

Dispatched by the Devil to turn the children of the world against Santa (José Elías Moreno), Satan’s main minion Pitch (José Luis Aguirre) unsuccessfully convinces boys and girls to be bad.

He then sets out to personally sabotage the robotic reindeers guiding Santa’s sleigh and steal the sleeping dust and magic flower that the mage Merlin gave Santa for protection.

A Satanic Christmas story from south of the border, this English dubbed Mexican import from 1959 is poorly shot, acted and scripted. But it’s low product value and occult themes have established this as a true holiday cult classic.

What’s more, after his experience with the children of Mexico Santa decided to outsource his toy manufacturing to them.

He’s a North Polling Station. He’s the…

Vidiot