Thursday, January 21, 2016

Be Kind, Please Rewind

He’s a Team-Workaholic. He’s the…

Vidiot

Week of January 22, 2016

Collaboration is the key to any duet. First up…

 
Straight Outta Compton

Being a roadie for a rapper is easy because you only have to carry around a milk crate of old funk albums.

However, as per this biography, personal baggage counts as sound equipment.

In 1986 drug-dealer Eazy-E (Jason Mitchell) and MC Ren (Aldis Hodge) enter the studio of producer Dr. Dre (Corey Hawkins) who pairs them with DJ Yella (Neil Brown, Jr.) and Ice Cube (O'Shea Jackson, Jr.). They subsequently release a hit single under the acronym N.W.A.

But when Eazy-E hires businessman Jerry Heller (Paul Giamatti) to be their manager, his misappropriation of their revenue tears the group asunder.

Spanning the social and racial issues of the early nineties with great aplomb, this O.G. origin tale may whitewash some harsher realities of the real-life situation but is ultimately a well-acted, keenly directed hip-hop masterpiece.

However, not surprising is the fact that all East Coast film critics dissed this movie.  Green Light

 
Jem and the Holograms

Holographic performers are only successful in hip-hop because bullets faze right through them.

Unfortunately, the pop group in this drama is intangible only in name.

Sent to live with their aunt (Molly Ringwald) and foster cousins - Aja (Hayley Kiyoko) and Shana (Aurora Perrineau) - after their father dies, Jerrica (Aubrey Peeples) and her sister Kimber (Stefanie Scott) find solace in music.

When an online video of her singing under the sobriquet Jem goes viral, Jerrica and her sisters are signed to Starlight records. However, producer Erica (Juliette Lewis) wants Jem to drop the Holograms, while her son Rio (Ryan Guzman) simple wants Jerrica.

More a follow-your-dreams commercial for the Youtube generation than an homage to the ‘80s cartoon, Jem manages to utilize the material but distorts it in a way that is unrecognizable to fans, and unexciting to newcomers.

And well Jerrica may secretly be Jem; Jem is actually Barbie with a keytar.  Red Light

 
The Intern

Nowadays, most retirees have to return to the office in a janitorial position.

Thankfully, the widower in this comedy doesn’t have any dependents living in his basement.

Feeling obsolete since retiring from his job, former phone book publisher Ben (Robert De Niro) returns to the workplace as a senior intern for an online fashion house.

Assigned to the site’s workaholic founder Jules (Anne Hathaway), Ben quickly becomes an indispensable part of her life, thanks to his sage wisdom.

But his ethics are tested when he learns a secret about Jules’ husband that could send her into a tailspin, and her website under.

In spite of its far-fetched premise, obvious plot points and sitcom-esque situations, this coming-of-old-age comedy is wryly writing and playfully acted by its charming leads, whose chemistry is awkwardly comforting. 

Although you do have to constantly reassure senior staff that women are allowed to wear pants to work.  Yellow Light



Everest

To capitalize off of inexperienced climbers, Nepal should really open a funeral parlor on the side of Everest.

Case in point, the imperiled alpinists in this fact based thriller.

When competing commercial climbing companies descend on the legendary summit in the spring of 1996, team leaders Rob Hall (Jason Clarke), Scott Fischer (Jake Gyllenhaal) and their cliental (Josh Brolin, Sam Worthington, John Hawkes) are not prepared for the storm that strands them on the slope, sans oxygen.

Meanwhile, the wives of the marooned mountaineers (Robin Wright, Keira Knightley) await word of their rescue, expecting the worst.

While it’s hard to empathize with the willing participants and their death wishes, you can’t help but feel for their families, or deny the white-knuckle action or edge-of-your-seat excitement emanating from this ill-fated expedition.

On the bright side, at least the Yeti population now has a surplus of frozen meals for the week.  Yellow Light

***Dr. Protégé***  

 
8 Mile

White rappers have it harder than black rappers because they can’t rhyme anything with the N-word.

Which is why the white-boy in this drama is so respected when he spits.

White trash wannabe rapper B-Rabbit (Eminem) not only has to cope with his alcoholic mother (Kim Basinger) and her abusive boyfriend (Michael Shannon), but also life in a dead-end job.

His only refuge is the weekly rap battles at a local club, where his nerves keep him from performing.    

But when he catches his girl (Brittany Murphy) cheating, B-Rabbit gets the confidence to compete in a battle royal arranged by a gangbanger (Anthony Mackie).

With a surprising performance from Eminem in a role that parallels his own upbringing, 8 Mile’s gritty realism and follow-your-dreams mentality doesn’t come off as clichéd as with most urban productions.

Furthermore, it’s not your pigment that makes you a decent rapper; it’s your level of misogyny.

He’s Beet Boxing. He’s the…

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