Thursday, April 13, 2017

Be Kind, Please Rewind

He’s a Bottle-Rocket Scientist. He’s the…

Vidiot

Week of April 14, 2017

Space would be more populated if it had free WiFi. First up…

 
Hidden Figures

The real reason NASA never employed female astronauts was because there were no kitchens on-board.

Furthermore, as this drama documents, the 1960s space program was also racist.

When Al Harrison (Kevin Costner), NASA head engineer, is perplexed by a geometry problem, he brings African-American mathematician Katherine Goble Johnson (Taraji P. Henson) up from Langley to help solve it.

Unfortunately, the segregation and sexism of the Sixties keeps her from fitting in with her white, middle-aged male contemporaries.

Meanwhile, Katherine’s equally brilliant friends (Octavia Spencer, Janelle Monáe) experience their own discrimination at the hands of their bigoted superior (Kirsten Dunst).

A well-acted and aptly written account of the unpublicized contributions that African-American women made to the space race, this biography is inspiring on a number of fronts, specifically the social inequalities that continue to plague society.

Incidentally, NASA also made the first black astronaut sit in the back of the shuttle. Green Light

 
The Bye Bye Man

Being haunted in the 1960s wasn’t as scary as today because their SPFX make-up sucked.

Luckily, the majority of this horror movie occurs in present-day.

Elliot (Douglas Smith), his girlfriend (Cressida Bonas) and their friend (Lucien Laviscount) rent out an old house where a homicidal rampage played out in 1969.

During a home séance an enigmatic entity, The Bye Bye Man (Doug Jones), emerges from limbo and begins driving the friends insane with hallucinations of infidelity, all because they said his name. With help from the only survivor of the massacre (Faye Dunaway), Elliot sets out to stop Bye Bye.

Badly acted in both eras by actors who don’t deserve the title, this inept adaptation of an obscure work of crypto-fiction is amateurish at best - the villain is derivative and the scares are nonexistent.

Besides, monsters wouldn’t be so sensitive about their names if they weren’t so dumb sounding. Red Light

***Knick Names***


Candyman

Before 1992, the only black male that would appear when you said Candyman was Sammy Davis Jr.

But thanks to this horror movie, this hook-handed fella started showing up as well.

A student studying urban legends, Helen (Virginia Madsen), stumbles across a character from inner-city folklore that emerges from mirrors and guts you with his hook if you say his name five times.

Helen later learns that Candyman (Tony Todd) was a cultured African-American lynched in 1890 for loving a white woman - who looks like her. His ashes were scattered over the housing project he now haunts. 

Horror novelist Clive Barker’s urban take on the Bloody Mary myth, this seminal slasher movie has a solid backstory of social importance. And while the scares are dated and the script stale, the villain is still iconic.

However, the worst part of living inside of a mirror is getting covered in pus.

He’s a Mirror Image Consultant. He’s the…

Vidiot







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