He’s Second Opinionated. He’s the…
Vidiot
Week of July 8, 2016
In my opinion no one ever listens to my
opinion. First up…
I Saw The Light
The number one threat to a country music
star’s career is their successful transition into pop music.
Unfortunately, the cowboy crooner in this
biopic didn’t live long enough to employ auto-tune.
Repetitively rejected from the Grand Ole
Opry for his youthful inexperience, Hank Williams (Tom Hiddleston) wasn’t able
to strike a cord with promotes, fans, and later Hollywood, until he started
composing ditties inspired by the spats he had with his singing partner/wife
(Elizabeth Olsen).
But just as those hit records were rolling
in, Hank’s dalliances, hard drinking, and drug use derailed his meteoric rise.
Although Hiddleston is able to embody the
honky-tonk hero in appearance and essence, his vocal range is lacking that
hillbilly twang.
Meanwhile, the laborious script and
ham-fisted director are more concerned with chastising him for his faults than
celebrating his triumphs.
Incidentally, sex with Minnie Pearl was not
the cause of Hank's death. Red
Light
By the Sea
Vacations are a great way to rekindle a
marriage as long as you remember to tell your spouse which country you’ll be
in.
Shockingly, the languishing lovers in this
drama are staying seaside jointly.
Author Roland (Brad Pitt) takes his
impotent wife Vanessa (Angelina Jolie Pitt) to a coastal French village to
write his next novel and hopefully stir something within her.
While the setting fails to stimulate
Vanessa, the newlyweds (Mélanie Laurent, Melvil Poupaud) next-door do. So, she
peeps on them through a hole-in-the-wall, while Roland drinks downstairs with
the widowed hotelier (Niels Arestrup).
While writer/director Jolie Pitt tries
admirably to concoct her own foreign film through risqué subject matter, long
silences and minimal exposition, her biggest mistake is casting herself and her
husband in what ultimately becomes a pretension vanity project.
Furthermore, holes in the wall bigger than
a silver dollar are not for sticking your eye in. Red Light
Miracles from Heaven
The problem with God performing miracles is
that he automatically expects you to return the favour.
Which means the cured kid in this drama has
one whooper of an IUO.
Stricken with an ailment that prevents her
from digesting food, 10-year-old Anna Beam (Kylie Rogers) undergoes rigorous
testing at the behest of her mother (Jennifer Garner) that ultimately concludes
that Anna has intestinal pseudoobstruction.
It’s not until she falls 30-feet from a
cottonwood tree and has a near-death experience that Anna finds relief from the
excruciating pain. Even more astounding is Anna’s account of her encounter with
the big man upstairs.
Christian propaganda masquerading as
wholesome family entertainment, this mawkish mockup of the mother’s own memoirs
emulates movie-of-the-week acting and storytelling with a side of Sunday school
sermonizing thrown in for good measure.
In fact, Millennials would be more inclined
to attend Sunday services if church had an omelet station. Red Light
***Pony Express Bride***
Love Comes Softly
Marriages lasted so long in the Old West
because men had access to whorehouses.
Regrettably, the husband in this drama
won’t live long enough to experience one.
Pregnant pioneer Marty (Katherine Heigl)
must fend for herself when her husband dies en route to their new life out
West. Unable to endure, she marries a widower, Clarke (Dale Midkiff), who asks
that she keep house and care for his daughter Missie (Skye McCole Bartusiak) in
exchange for room and board.
Although it is a sham marriage, over the
winter months Marty not only warms up to her unlikely husband but also his
steadfast faith in Him.
Based on the Christian book series and the
first instalment in the 11-part franchise, this Hallmark made-for-TV movie
cleverly keeps its pious undertones hidden behind an awkward romance, and other
frontier tomfoolery.
Mind you, back then the good book was
predominantly used for squashing rattlesnakes.
He’s an Awkward Stagecoach. He’s the…
Vidiot
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