Wednesday, November 21, 2018

Be Kind, Please Rewind


He’s a Guacamole Diplomat. He's the...

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Week of November 23, 2018

My favourite dish is Americanized ethnic food. First up...


Crazy Rich Asians

The easiest way to distinguish between rich and poor Asians is the wealthy ones wear gold-plated surgical masks.

Mind you, as this romantic-comedy points out, well-heeled Asians can also be extremely rude.

Rachel (Constance Wu) agrees to attend her boyfriend Nick’s (Henry Golding) friend’s wedding in Singapore. During their visit, Rachel is introduced to Nick’s well-to-do relatives (Gemma Chan, Awkwafina, Ken Jeong), whom she gets along with swimmingly. However, the matriarch of the family (Michelle Yeoh) feels that Rachel is not the right fit for her son, while others accuse her of being a gold-digger.

Although it does shatter stereotypes with its all-Asian cast and enamors with the pageantry associated with Asian nuptials, this aptly cast adaptation of the 2013 best-seller does little to differentiate itself from the typical Caucasian rom-com formula.

In fact, the only difference between Asian and Caucasian families is that the former doesn’t banish their elders.  Yellow Light


Little Italy

The single greatest contribution Italian cuisine has made to Western civilization is heartburn. 

However, this romantic-comedy maintains that pizza is a much better offering than indigestion.

When her work visa expires, culinary student Nikki (Emma Roberts) must return to Toronto. While her family (Alyssa Milano, Adam Ferrara) is happy to see her, their pizza business has been suffering ever since they had a spat with their partner and his son, Leo (Hayden Christensen).

As the former friends feud, Leo and Nikki form a relationship that will force both parties to make amends, and update their menus.

Brimming with bad Italian stereotypes and even worse acting, this American/Canadian co-production is better left in the oven. Although it borrows from Romeo and Juliet, the leads lack the chemistry to dethrone the star-crossed lovers.

Incidentally, if Leo plans on marrying Nikki he’s going to have to get a divorce from his mamma first.  Red Light


Outlaw King

The key to being a great Scottish King is making sure your Queen’s woollen fleece is sheared every summer.

However, the ruler in this drama has broken from tradition and married a human.

In the wake of William Wallace’s execution, Scottish King Robert the Bruce (Chris Pine) plots a rebellion against the monarchy. But when an Englishman overhears his plans, Robert has no choice but to slay them. This murderous act incites England to declare Robert, his new wife (Florence Pugh) and their allies (Aaron Taylor-Johnson, Tony Curran) outlaws.

While this historical Netflix film plays fast-and-loose with the facts, the overall experience is a visceral one backed by gory battle scenes, stirring speeches and convincing portrayals. In fact, it stands as the best feature the streaming service has produced thus far.

However, it would’ve been easier to get the British out of Scotland by staging a Robert Burns poetry reading.  Green Light

***My Verona***


Pizza My Heart

While it’s not widely known, Christopher Columbus’ voyage to America was initially a pizza delivery.

And while that factoid has been lost to history, this comedy assures America’s obsession with pizza hasn’t.

In fair Verona, New Jersey is where we lay our scene: two families, The Prestolanis (Michael Badalucco, Natalija Nogulich) and The Montebellos (Dan Hedaya, Gina Hecht), war with each other over who sells the best pie in town. But their long-standing feud is about to be turned on its head when Gina. (Shiri Appleby) falls in love with her sworn enemy Joe. (Eyal Podell). The lovers must now bring peace to their pizzerias.

ABC Family’s modern retelling of Shakespeare’s tragedy, this 2005 movie-of-the-week is a goofy but guilty pleasure that tones down the calamity of the play and gives way to zaniness.

Lastly, when ordering from a Romeo and Juliet themed pizzeria, get them to hold the poison.

He’s Bard Wire. He’s the...

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Wednesday, November 14, 2018

Be Kind, Please Rewind


He’s a Meatball Subspecies. He’s the…

Vidiot

Week of November 16, 2018

Every dog has its day…in court.  First up…



The Meg

Every time a scientist discovers a new species it means we get to eradicate an old one.

However, considering the size of the specimen in this action-thriller we should exterminate four.

A billionaire (Rainn Wilson) recruits an underwater research team to probe Marianas Trench for untold riches. But an encounter with a Megalodon leaves his oceanographer (Li Bingbing) and her crew stranded down there. Now, it is up to covert naval officer Jonas Taylor  (Jason Statham) to reach the submersible without being swallowed by the gigantic jaws of the prehistoric predator.

Spending way too much time on a superfluous love story, this American-Chinese adaptation of the 1997 novel is surprisingly boring for a giant shark movie. It doesn’t help that the bulk of the man vs. animal action occurs at the very end.

Besides, the easiest way to kill a megalodon is to steer them towards that floating garbage patch.  Red Light


Alpha

The best way to get your dog to respect you is to stop picking up its poop.

And this action-adventure set in a time when dog scat was everywhere reaffirms that statement.

Left for dead by his Stone Age tribe after tumbling off a cliff during his first bison hunt, a broken Keda (Kodi Smit-McPhee) must now find his way back home.

However, the elements and the hungry prehistoric predators make his quest near impossible. That is until he nurses an injured wolf back to health and befriends it. The unlikely pair then braves the rough terrain together, forging the basis of our species’ cohabitation.

While the history behind this initial dog tale is debatable, the action, the acting, and the cinematography make up for the simplistic storyline, strange subtitles and historical inaccuracies.

Moreover, it is proof positive that dogs do not require designer coats and boots to survive winter.  Green Light

 


Mile 22

The hardest part of working for a clandestine organization is getting them to believe that you work there every morning.

Fortunately, the top-secret team leader in this action-thriller is not easily forgotten.

Labeled a violent offender at a young age, James (Mark Wahlberg) had to learn to control his anger and channel his aggression into something useful, like heading up a covert black ops team (John Malkovich, Lauren Cohan, Ronda Rousey) tasked with keeping a radioactive chemical from being weaponized by terrorists. But in order to do that James must help an Indonesian police officer (Iko Uwais) in possession of the substance flee from authorities.

While it’s loaded with shoot-outs, car chases and choreographed fights, this spy thriller is light on espionage. Meanwhile, Iko Uwais’ martial art talents are adversely affected by the hurried editing.

Incidentally, the only way to escape Indonesia undetected is disguising yourself as a Komodo dragon.  Yellow Light

***She-Wolf Pack***


The Journey of Natty Gann

The bond between dogs and women took longer because wolves wouldn’t get into designer purses.

Mind you, the tomboy in this adventure is more likely to be carrying around a bindle.

When Sol (Ray Wise) finds work in the forests of Washington State during the Great Depression, he leaves his 15-year-old daughter Natty (Meredith Salenger) behind in Chicago until he can send for her. But when her guardian sells her out to family services, Natty must ride the rails to find her father. Along the way she befriends a wolf and fellow hobo (John Cusack), who teaches her how to survive life on the road.

Besides an authentic depiction of life during the depression, this live-action Disney movie from 1985 also has a touching story about a girl and her wolf that will resonate with animal lovers.

In fact, wolves still make excellent travel companions for women of any age.

He’s a Poisonous Animal Lover. He’s the…

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Thursday, November 8, 2018

Be Kind, Please Rewind

He is Cryptonite. He’s the...


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Week of November 9, 2018

Hipster Clark Kent has a Superman bun. First up...


Incredibles 2

The downside to being in a super-powered family is that your siblings will always reveal your secret identity to your arch-rival.

Unfortunately, when the alias of the heroine in this animated-adventure is exposed, it threatens everyone.

When Violet’s (Sarah Vowell) alter ego is revealed she withdraws from the spotlight. Meanwhile, her mother, Elastigirl (Holly Hunter), has ventured out on her own to prove to the public that superheroes are beneficial. On the home front, Mr. Incredible (Craig T. Nelson) has become the main caregiver to the rest of his powerful brood.

Picking up right where the original left off 14-years ago, this overdue sequel fails to succeed, or even match, its predecessor. Lacking sufficient laughs and worthwhile action, the script to this follow up suffers from serious lulls, recycled plot points and a lackluster villain.

Besides, the point to having super-powers is so you can fly away from your family.  Red Light


Christopher Robin

The most important lesson Winnie the Pooh can teach children is how to spot depression in donkeys.

Thankfully, this fantasy about Pooh manages to keep sharp objects away from Eeyore.

Years after he left his stuffed animal friends behind to attend boarding school, Christopher Robin (Ewan McGregor) is now a businessman struggling to keep his job and his family from falling apart. However, one day while his wife (Hayley Atwell) and children are in the country, Christopher is visited by his old plush bear Winnie the Pooh, who wants to reinstall Christopher with the joy and optimism missing from his adult life.

While the lifelike menagerie is a sight to behold and the narrative of rediscovering your childhood is serviceable, the nostalgia angle has been done to death in a number of superior family films. 

Incidentally, you can convert any child’s toy into an adult toy by simply adding handcuffs.  Yellow Light


BlacKkKlansman

One telltale sign African-Americans have secretly invaded the KKK is if members take a knee during the Confederate National Anthem.

Fortunately, the black Klansman in this dramedy is only orally affiliated with the hate group.

Ron Stallworth (John David Washington) makes a name for himself as Colorado’s first black police officer by answering a Ku Klux Klan membership ad. Pretending to be white while speaking with David Duke (Topher Grace), Stallworth infiltrates the organization. But when the Klan asks to meet in-person, Stallworth has a white officer (Adam Driver) impersonate him.

Inspired by Stallworth’s book, director Spike Lee takes a number of liberties with the source material in order to make the story timely and more impactful. While the levity of the script is startling, the performances are first-rate.

Conversely, you can tell the Black Panther Party has been infiltrated by whites when mayonnaise appears on the condiment table.  Yellow Light

***Race Warrior***


The Black Klansman

The easiest way to gain acceptance into the Ku Klux Klan is to show up wearing a MAGA hat.

Unfortunately, this drama takes place decades before those symbols of hate were manufactured.

In retaliation for a black man sitting at a lunch counter in Alabama, the KKK bombs a black church. Among those killed in the terrorist act is the daughter of Jerry (Richard Gilden), an LA jazz musician, who subsequently gets revenge against the hate group by becoming a member, and tearing it apart from the inside.

One of the few movies to confront racism in America at the time, this low-budget feature from 1966 was directed by schlock horror movie-maker Ted V. Mikels, who avoids blaxploitation clichés to deliver a powerful, albeit problematic production - namely the white actor portraying Jerry.

Incidentally, the first sign that Jerry is a white guy comes when he tries to play jazz.

He’s a Hepcat Nap. He’s the...

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Thursday, November 1, 2018

Be Kind, Please Rewind

He's a Hidden Cameraman. He's the...

 Vidiot

Week of November 2, 2018

Hidden cameras bring out the hypocrisy in us all. First up...


The Spy Who Dumped Me

The easiest way to tell you’re dating a spy is if they interrogate you during sex.

Sadly, the dumpee in this action-comedy won’t have a light shone in her face any longer.

Dumped by her globetrotting boyfriend (Justin Theroux), Audrey (Mila Kunis) and her friend (Kate McKinnon) go to his house to trash it but are interrupted by armed man. Now aware that he’s a spy - and in possession of a desirable flash-drive - the women fly to Europe to return the Intel. But when he goes missing the friends must then trust is his CIA partner (Sam Heughan).

Featuring some of the worst jokes ever written, yet riddled with some brilliant bursts of rapid-fire violence, this buddy-comedy is quiet the dichotomy. Nevertheless this contrast is too distracting and both leads are annoying.

Besides, who wouldn’t date a spy? You get to taste all of their meals for poison.  Red Light


The Darkest Minds

Teenagers already wield the greatest superpower around: they cannot be tried as adults.

However, the special abilities the teens in this sci-fi movie have don’t vanish at eighteen.

When a disease wipes out most of the world’s underage population, it leaves the survivors with strange new talents that the government colour code per individual powers. But when Ruby (Amandla Stenberg) registers as an orange, her power to possess minds makes her highly sought-after by a subversive group leader (Mandy Moore). Luckily Ruby has friends to help make the right choice.

Boasting clichéd superpowers, pointless musical montages and a love triangle that dominates the majority of the story, this adaptation of the similarly named YA novel is the last vestige of the dystopian teen genre. Unfortunately, it does little to reignite any interest in the tired concept.

Incidentally, the easiest way to defeat any super-powered teenager is by giving them mono.  Red Light

***Super Manniversary***


My Super Ex-Girlfriend

The problem with dating a superhero is that they always have to ‘save the world’ right before the check arrives.

Being stiffed with the bill however is just another reason why the civilian in this comedy dumped his super-girlfriend.

When Matt (Luke Wilson) apprehends her mugger, Jenny (Uma Thurman) agrees to go out with him. However, her mild-mannered nature is a ruse to cover-up for the fact that she is really the confident superhero: G-Girl. Turned off by her controlling temperament, Matt dumps Jenny, who then uses her extraordinary abilities to humiliate him and his new girlfriend (Anna Faris).

While the premise is primed for riffing, this Ivan Reitmen directed satire is unable to deliver laughs at lightning speed. Instead the lazy script suffers from cheap, sexist jokes that make the female antagonist appear desperate and unhinged. 

Incidentally, most super-human relationships fail because someone had sex with the other’s teenage sidekick.

He's Super-Power Tripping. He's the...

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