Thursday, July 13, 2017

Be Kind, Please Rewind

He’s a Third Wheelman. He’s the…

Vidiot

Week of July 14, 2017

Uber is not a reliable getaway car. First up…

 
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The Fate of the Furious

The worst part of street racing in the summertime is you have to slow down in construction zones.

Fortunately, the motorists in this action movie can afford the double fines incurred.

While on a mission to retrieve an electromagnetic pulse device for agent Hobbs (Dwayne Johnson), former street-racer turned secret agent Dom (Vin Diesel) betrays his crew (Michelle Rodriguez, Chris Bridges, Tyrese Gibson, Nathalie) and gives the EMP to a terrorist, Cipher (Charlize Theron).

Backed by black ops (Kurt Russell, Scott Eastwood), Hobbs and Dom’s crew track their former comrade to Russia, where he and Cipher have commandeered a nuclear submarine.

Equipped with over-the-top sports car chases, boastful banter and buckets of machismo, this eighth installment in the Fast and Furious franchise maintains those touchstones. However, its interpretation of those mainstays is more cartoonish than its predecessors.

Furthermore, due to the extreme depths they achieve, submarines are the ultimate low-rider.  Yellow Light

 

The Promise

Dating during wartime is hard since most of the restaurants and theaters are rubble.

However, the couples in this drama have been able to find love amid a holocaust.

On the eve of WWI an Armenian medical student (Oscar Isaac) studying in Constantinople manages to evade conscription in the Ottoman army long enough to fall in love with a Paris raised Armenian (Charlotte Le Bon).  Unfortunately, she is betrothed to an American newsman (Christian Bale) and he is promised to a neighbour’s daughter.

All four lives collide in the aftermath of the Great War, during Turkey’s systematic slaughter of the Armenian people.
The Promise is a well-acted piece of historical storytelling that doesn’t manipulate the facts of the Armenian Genocide for the sake of fiction. Unfortunately, the awkward love triangle only distracts from the enormity of the massacre.

Fortunately with post-war breakups, you have your wife stateside to console you.  Yellow Light

 
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The Lost City of Z

The easiest way to find a lost tribe in the Amazon is to clear-cut the entire rainforest.

Sadly, the explorers in this drama forgot to bring some lumberjacks with them.

After returning home to England with ancient artifacts obtained on his latest expedition to the jungle to prove the existence of an advanced civilization, renowned explorer Percy Fawcett (Charlie Hunnam) becomes a laughingstock.

Not until after WWI does Fawcett find funding through the Rockefellers and is able to return to the wilderness with his son (Tom Holland) to find the lost city of Zed. Neither father nor son returned to Nina Fawcett (Sienna Miller).

The haunting tale of Fawcett’s real life disappearance that still remains unsolved, this artfully shot biography is an engaging adventure saga that is hindered by poor editing, a prolonged narrative and a weak lead.

Incidentally, if lost tribes wanted Englishmen to find them they would build pubs.  Yellow Light 


***Explorers Clubbing***

 
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Aguirre, the Wrath of God

By the time technology makes exploring easy there’s nothing left to discover.

Which is why the adventurers in this drama didn’t wait for Google Maps to exist.

While on a Gonzalo Pizarro (Alejandro Repullés) lead expedition to find El Dorado, 16th century Spanish conquistador Lope de Aguirre (Klaus Kinski) is allocated to a small fleet sent down the Amazon river to scout ahead.

Joining Aguirre on the raft is his daughter (Cecilia Rivera), his commander (Ruy Guerra), his commander’s mistress (Helena Rojo), a nobleman and a priest.

Aguirre’s avarice eventually results in a mutiny. While his madness steers everyone aboard towards their deaths.

German director Werner Herzog’s disturbing depiction of colonialism, this cult classic uses fact on which to build its fictional account of Aguirre’s descent into lunacy. Success is ultimately achieved thanks to Kinski’s haunting performance.

Incidentally, the only civilization the conquistadors are credited with discovering is crazy town.

He’s a Triple Explorer. He’s the…
 
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Thursday, July 6, 2017

Be Kind, Please Rewind

He’s an Out of Workhorse. He’s the…

Vidiot

Week of July 7, 2017

Animal labour is cheap and delicious. First up…

 
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The Zookeeper’s Wife

The best part about having animals as your co-workers is that you can pet them during meetings.

Unfortunately, the only engagements in this drama are with Nazis.

Jan Żabiński (Johan Heldenbergh) is a predominate zoologist who maintains a menagerie in Warsaw with his wife Antonina (Jessica Chastain). When Hitler wants to resurrect extinct animals with help from his own zoologist, Dr. Lutz Heck (Daniel Brühl), the couple is obligated to open their zoo to the bizarre experiments.

Unbeknownst to herr doctor, however, the Żabińskis are harbouring Jewish families within the walls of the park.

While this true story of wartime charity is intriguing, this artistic adaptation of the bestseller doesn’t deliver the emotional gut-punch expected from a Holocaust movie. Sluggish, with a stereotypical SS villain and a fictitious love triangle, admission to this exhibit is regrettable.     

Incidentally, a delicatessen enclosure is a dead giveaway you’re harbouring Jews in your zoo.  Yellow Light

 
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Smurfs: The Lost Village

If the Smurf’s are looking for their descendants they should start with the Blue Man Group.

Unfortunately, in this animated film the azure imps are looking for Smurfette’s lineage.

As the only female in the village, Smurfette (Demi Lovato) is revered by her blue-skinned male kin, but baffled by her own existence.

Forged by the evil sorcerer Gargamel (Rainn Wilson) but swayed to good by Papa Smurf (Mandy Patinkin), she now leads Brainy (Danny Pudi), Clumsy (Jack McBrayer) and Hefty Smurf (Joe Manganiello) into the forbidden forest to find a lost tribe of female Smurfs (Julia Roberts, Ellie Kemper, Michelle Rodriguez) before Gargamel does.

Infused with low-level vocal talent, a puerile script and lackluster 3-D animation, this pointless reboot of the popular eighties cartoon languishes in mediocrity. While girl power is present, it’s eventually paired off with a male partner and dies.

And here everyone just thought Smurfette was a polygamist.  Red Light

***Blue Magic***

 
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The Smurfs and the Magic Flute
 
Earning money with a musical instrument is possible on the right subway platform.

Mind you, the musician in this animated movie is making money through magic.

When the king’s jester Peewit (Cameron Clarke) gets a hold of a magical flute that can make people spontaneously dance when played, he attracts the attention of a merchant McCreep (Mike Reynolds), who steals the wind instrument to rob villagers.

Now, Peewit and a knight’s squire named Johan must use a wizard’s spell in order to convene with the mystical blue-skinned forest creatures that first forged the flute if they hope to change McCreep’s tune.

Written and directed by the Smurf’s creator Peyo, this 1976 hand-drawn feature from Belgium set the standard of what would go on to become the 1980s Saturday morning cartoon phenomenon; mostly because it feels like three episodes pieced together.

Incidentally, when Smurf’s hear the magic flute played they turn rabid.

He’s a Breaking Wind Instrument. He’s the…

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Wednesday, June 28, 2017

Be Kind, Please Rewind

He’s Super Powered-Down. He’s the…

Vidiot

Week of June 30, 2017

With great powers comes get property damage. First up…

 
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Power Rangers

The most important lesson Powers Rangers taught children was which colour represents which race.

Sadly, that useful education tool has been omitted from this fantasy.

When a disgraced quarterback (Dacre Montgomery), a troubled cheerleader (Naomi Scott), an autistic nerd (RJ Cyler), a lesbian loner (Becky G) and a momma’s boy (Ludi Lin) unearth ancient colour coded coins they gain unimaginable powers.

Aided by their new mentor (Bryan Cranston), his android (Bill Hader) and their vehicles that morph into a mega mecha, the quintet sets out to stop a former ranger (Elizabeth Banks) from finding the all-powerful Zeo Crystal.    

While this update of the Japanese super-hero kids’ show manages to represent all races and special interests, its inconstant tone keeps it from telling an engaging story. The lack of mega-sized monsters is also concerning.

Incidentally, the best way to keep colossal combatants off your building is to install massive bird spikes.  Red Light

 
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CHIPS

Escaping from a motorcycle cop is as easy as jumping off the back of the bike at a red light.

Mind you, the officers in this comedy would just be lucky to make an arrest.

FBI agent Ponch (Michael Peña) goes undercover to expose corruption inside of California Highway Patrol after a rash of armoured car heists have gone unsolved by the department’s lieutenant  (Vincent D'Onofrio). Unfortunately, Ponch’s new partner (Dax Shepard) is a retired competition dirt bike racer with a serious painkiller addiction.

However, Ponch’s own secret sex addiction is also keeping him from concluding the investigation.

Based on the 1980s cop drama, this boilerplate buddy-comedy written and directed by Shepard falls far short of its intrepid inspiration. Marred by unfunny jokes, an obvious villain and over-the-top bike chases, CHIPS is more trash than tribute. 

Unfortunately, funerals for cops who ride motorcycles do require more than one coffin.  Red Light

***Morphin Addict***

 
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Mighty Morphin Power Rangers: The Movie

When you manned a vehicle in the 1990s that fused together to become an enormous robot everyone just called you Voltron.

Luckily, this fantasy film assuages any similarities between the super robots.

When the witch Rita and her master Lord Zedd unearth an ancient egg, they unleash the purple despot Ivan Ooze (Paul Freeman) on Angel Grove: home of the Power Rangers (Amy Jo Johnson, Jason David Frank, David Yost)

Ooze promptly imprisons his evil benefactors before stripping the Power Rangers of their morphing abilities, and setting his own agenda on how to rule the Earth.

Not only does this feature-length version of the popular TV show feature the original Ranger line up, but also their inept high school tormenters: Bulk and Skull. Faithfull but with a cinematic edge, this adaptation provides more than adequate camp.

Besides, morphing into a giant robot only looks cool when both legs show up.

He’s in Bad Shapeshifting. He's the... 

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